Piano Literature: Keyboard Music of the 19th
and 20th Centuries
(1830 to the present)
MUSC 4335
Spring 2008
Tuesday/Thursday, 12:00-12:50, Room C125.
Website for class information: http://spot.colorado.edu/~korevaar/
Professor Korevaar: C196; 303-492-6256; korevaar@colorado.edu
Course Description:
A survey of selected composers and keyboard compositions since 1830. Elements of musical style, keyboard writing, favored genres, and performance practice will be included in the discussions. Reading and listening assignments will supplement the in-class lectures.
Course
Goal:
Students are
expected to increase their knowledge of a broad range
of music written for keyboard instruments. In addition, students should
gain
insights into basic issues of performance style, performance practice,
development of the instruments, and development of important genres
throughout
the modern history of keyboard music.
Texts (Required):
F. E. Kirby. Music
For
Piano: A short history. Portland,
Oregon: Amadeus Press, 1995.
Maurice Hinson. Guide
to
the Pianist¹s Repertoire. Third Edition.
Bloomington, Indiana: Indiana University Press,
2000.
Supplementary:
R. Larry Todd, editor. Nineteenth-Century Piano Music. Second Edition. New York: Routledge, 2004.
David Burge. Twentieth-Century Piano Music. Lanham, MD: Scarecrow, 2004.
Charles Rosen. The Romantic Generation. Cambridge, Mass.: Harvard University Press, 1995.
Assignments:
Reading and listening will be assigned regularly. Keeping up with assignments is important to making class participation and understanding as meaningful as possible, and will be taken into consideration in determining final grades.
Paper:
Each
student is required to write an extended essay (at least seven typed
[12
point], double-spaced pages) on a topic related to the subject matter
of the
first half of the course (nineteenth and early twentieth century). This paper may deal with analysis,
performance practice, pedagogy, history, or other issues related to a
specific
work or group of works. Please
consult Kate L. Turabian, A Manual for Writers of Term Papers,
Theses, and
Dissertations,
sixth edition (Chicago: University of Chicago Press, 1996), for
information on
format. I require that you include
full citations in footnotes for all sources that you use.
Please do not use scientific-style
parenthetical references! Topics should be decided upon and approved by
January 24, with completed papers due March 6.
Presentations:
Each student will present a brief lecture with examples (recorded or live) on piano music composed by a composer active in the last 30 years. These lectures will be scheduled in the last three class sessions of the semester. The presentation must include either an outline with detailed notes or a script, and a full bibliography to be turned in. The talk will be limited to 20 carefully prepared minutes, with a five-minute question period. Students will be expected to practice and time their presentations to conform to these guidelines. Composers for these presentations will be assigned after spring break.
Exams:
A take-home midterm and an in-class final will constitute 25% of your final grade.
Attendance:
Given the amount of material to be presented quickly, as well as the participatory nature of the class, consistent attendance is necessary. Each student is allowed two unexcused absences, after which grades may be lowered one degree (e. g., ³A² to ³A-minus²) for each subsequent absence, excused or unexcused. Students in good standing (one or zero unexcused absences and up-to-date on all assignments) will be allowed excused absences on a case-by-case basis only, at the discretion of the professor.
Grading:
Midterm and final: 50%
Presentation: 12.5%
Paper: 12.5%
Class participation: 25%
Honor Code: All students of the University of Colorado at
Boulder are responsible for
knowing and adhering to the academic integrity policy of this
institution.
Violations of this policy may include: cheating, plagiarism, aid of
academic
dishonesty, fabrication, lying, bribery, and threatening behavior.
All
incidents of academic misconduct shall be reported to the Honor Code
Council
(honor@colorado.edu; 303-725-2273). Students who are found to be in
violation
of the academic integrity policy will be subject to both academic
sanctions
from the faculty member and non-academic sanctions (including but not
limited
to university probation, suspension, or expulsion). Other information
on the
Honor Code can be found at
http://www.colorado.edu/policies/honor.html and at
http://www.colorado.edu/academics/honorcode/