Latin American Music, MUSC 4892/5892; Spring, 2006

Bibliography (includes required readings listed above, plus additional sources marked with *): this is not a definitive list; you may find many more sources in Chinook, etc.

*Aho, William R. "Steel Band Music in Trinidad and Tobago: The Creation of a

People's Music." Latin American Music Review 8(Spr-Sum1987):26-58.

*American Musical Traditions, Volume 5: Latino American and Asian American Music. New York: Schirmer, 2002 (ML3551.A53, 2002, V. 5)

*Aparicio, Frances R. Listening to Salsa, Gender, Latin Popular Music, and Puerto Rican Cultures. Middletown, CT: Wesleyan University Press, 1998 (ML3535.5.
A63, 1998)

*Appleby, David P. The Music of Brazil. Austin: University of Texas Press, 1983 (ML232.A74, 1983)

BÈhague, GÈrard. Music in Latin America: An Introduction. New Jersey:

Prentice-Hall, Inc. 1979. (ML199.B44)

*BÈhague, GÈrard. "Popular Music in Latin America." Studies in Latin American

Popular Culture 5(1986):41-68.

*BÈhague, GÈrard. "Some Liturgical Functions of Afro-Brazilian Religious Music

in Salvador, Bahia." The World of Music XIX (3/4) (1977):4-23.

Buena Vista Social Club (videorecording), directed by Wim Wenders. (Norlin Media Stacks: DVD 00-39). CD with same title in Music Library (CD14538)

*C·ceres, Abraham. "Preliminary Comments on the Marimba in the Americas"

Discourse in Ethnomusicology (1978):225-50.

*Carrasco Pirard, Eduardo: "The nueva canciÛn in Latin America."

International Social Science Journal 94(Vol. XXXIV, No.4, 1982):599-623.

*Clark, Jonathan. Descriptive notes to CD Mariachi Vargas de Tecalitl·n: Their First Recordings, 1937-1947. Vol. 3 of Mexico's Pioneer Mariachis. El Cerrito, Calif.: Arhoolie Folklyric CD 7015, 1992

*Courlander, Harold. The Drum and the Hoe. Berkeley: University of California

Press, 1960:1-29 (Norlin Library: GR121.H3C65, 1960)

*Courlander, Harold. "Musical Instruments of Cuba." The Musical Quarterly

28(1942):227-240.

*Dickey, Dan William. The Kennedy Corridos: a Study of the Ballads of a Mexican-American Hero. Austin: Center for Mexican-American Studies, University of Texas at Austin, 1978 (ML3481.D53)

*The Garland Encyclopedia of World Music, Volume 2, South America, Mexico, Central America, and the Caribbean, edited by Dale A. Olsen and Daniel E. Sheehy. New York: Garland Publishing Co., 1998 - In the reference area of the Music Library (ML100.G16, 1998)

*Garland Handbook of Latin American Music, with audio CD. ON RESERVE in the Music Library (ML199.G36, 2000, CD 4243, v.2, c.2)

*Geijerstam, Claes af. Popular Music in Mexico. Albuquerque: University of New Mexico Press, 1976 (ML3570.G44)

Gradante, William. "'El Hijo del Pueblo': JosÈ Alfredo JimÈnez and the Mexican CanciÛn Ranchera."" Latin American Music Review (Vol. 1, No. 1, Spring/Summer 1982):36-59.

*Herrera-Sobek, MarÌa. "Gender Conflict and the Medieval Exemplum in the Corrido." Centro de Estudios PuertorriqueÒos Bulletin, Vol. III, No. 2, Spring, 1991:105-110

*Herrera-Sobek, MarÌa. The Mexican Corrido: A Feminist Analysis. Bloomington: Indiana University Press, 2001 (Norlin Library: PQ7180.H4 1990)

*Herrera-Sobek, MarÌa: Northward Bound : the Mexican Immigrant Experience in Ballad and Song. Bloomington : Indiana University Press, 1993 (ML3558.H47, 1993)

Herrera-Sobek, MarÌa. "Mothers, Lovers, and Soldiers: Images of Woman in the Mexican Corrido." Keystone Folklore 23(1-2) (1979):53-57.

Manuel, Peter. Caribbean Currents. Philadelphia: Temple University Press, 1995 (ML3565.M36, 1995)

*Manuel, Peter, editor. Essays on Cuban Music, North American Perspectives. Maryland: University Press of America, Inc., 1991 (ML3565.M36, 1995)

Marre, Jeremy and Hannah Charlton. Beats of the Heart, Popular Music of the

World. London: Pluto Press Limited, 1985. Videos: Roots, Rock, Reggae (Video 168); Salsa, Latin Pop Music in the City (Video 170, c. 2)

MartÌ, Samuel. Instrumentos Musicales Precortesianos. MÈxico: Instituto Nacional de AntropologÌa e Historia, 1955 (ML482.M3)

*McDowell, John H. Poetry and Violence, the Ballad Tradition of Mexico's Costa Chica. Urbana and Chicago: University of Illinois Press, 2000 (Norlin Library: PQ7291.G84 M3, 2000)

*Morris, Nancy. "'Canto Porque es Necesario Cantar': The New Song Movement in Chile, 1973-1983." Latin American Research Review XXI (2) (1986):117-136.

*Olsen, Dale. "Folk Music of South America -- A Musical Mosaic." Musics of

Many Cultures, edited by Elizabeth May. Berkeley: University of California Press, 1980:386-425 (ML3798.M87, with Disc 9302)

Olsen, Dale.≤Notch Flutes of Life and Transcendence,≤ in Music of El Dorado: The Ethnomusicology of Ancient South American Cultures, 2002:pp 36-60 (ML3575.A2 O57 2002)

Olsen, Dale. "Symbol and Function in South American Indian Music." Musics of Many Cultures, edited by Elizabeth May. Berkeley: University of California Press, 1980:363-385 (ML3798.M87, with Disc 9302)

*Pacini Hernandez, Deborah. Bachata, a Social History of a Dominican Popular Music. Philadelphia: Temple University Press, 1995 (ML3480.D65 P3, 1995)

Padwa, Mariner Ezra. Peter of Ghent and the Introduction of European Music to the New World. Santa Fe, N.M. : Hapax Press, 1993 (F1230.G3 P3, 1993)

Paredes, AmÈrico. "Songs of Border Conflict," and "Gregorio Cortez" text, from

A Texas-Mexican Cancionero: Folksongs of the Lower Border, 1976 (ML668.4 T49, 1995)

*Paredes, AmÈrico. With his Pistol in His Hand. Austin: University of Texas Press. 1958 (Norlin Library: PQ7297.A1 C63)

*PeÒa, Manuel H. The Mexican American Orquesta: Music, Culture, and the Dialectic of Conflict. Austin : University of Texas Press, 1999 (ML3481.P44, 1999)

*PeÒa, Manuel H. The Texas-Mexican Conjunto: History of a Working-Class Music. Austin: University of Texas Press, 1985 ((ML3481.P46, 1985)

*Perrone, Charles A. Masters of Contemporary Brazilian Song, MPB 1965-1985. Austin: University of Texas Press, 1989 (ML3487.B7 P5 1989)

*Perrone, Charles A. and Christopher Dunn, editors. Brazilian Popular Music and Globalization. Gainesville: University Press of Florida, 2001 (ML3487.B7 B76 2001)

*Picard, Robert. The Spiritual Conquest of Mexico, an Essay on the Apostolate and Evangelizing Methods of the Mendicant Orders of New Spain, 1523-1572. Trans. Lesley Byrd Simpson. Berkeley: University of California Press, 1966 (BX1428.R53)

*Roberts, John Storm. The Latin Tinge, the Impact of Latin American Music on the United States. New York: Original Music, 1979 (ML3475.R6 1999)

*Romero, Brenda. "The New Mexico, Texas, and Mexico Borderlands and the Concept of Indio in the Matachines Dance." Musical Cultures of Latin America: Global Effects, Past and Present. Selected Reports in Ethnomusicology, Volume XI. Los Angeles: The Regents of the University of California, 2003:81-7

Romero, Brenda. "Profile of an Ethnomusicologist" for Garland Encyclopedia of Music: General Music. Volume 10, edited by Ruth Stone. New York: Routledge, 2002 (ML100.G16, 1998)

Romero, Brenda. "La Indita of New Mexico: Gender and Cultural Identification," in Chicana Traditions, Continuity and Change, edited by Olga Najera-Ramirez and Norma Cantu. Chicago: University of Illinois Press ( E184.M5 C4 2002 )

*Romero, Brenda. "Latino Musical Communities in New Mexico and Colorado" in American Musical Atlas, Volume 5, edited by Jeff Todd Titon and Bob Carlin. New York: Schirmer Reference, 2002 (ML3551.A53, 2002, V. 5)

*Romero, Brenda. The Matachines Music and Dance in San Juan, Pueblo and Alcalde,

New Mexico: Contexts and Meanings. Doctoral dissertation in Ethnomusicology. University of California, Los Angeles: 1993 (GV1796.M35 R65 1993a 

*Schechter, John M. "The Diatonic Harp in Ecuador: Historical Background and

Modern Traditions," Parts I and II. Journal of the American Musical Instrument Society X (1984):97-118.

*Schechter, John M. "The Inca Cantar Historico: A Lexico-Historical Elaboration

on Two Cultural Themes." Ethnomusicology XXIII/2 (May 1979):191-204.

Schechter, John M. ≥Latin America/Ecuador,≤ in Worlds of Music, edited by Jeff Todd Titon. New York: Schirmer, 2002 (ML3545 .W67 2002 c.2 , with CD 14922)

Schechter, John M. Music in Latin American Culture, Regional Traditions. New York: Schirmer, 1999 (ML199.M86, 1999)

Seeger, Anthony. "What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil." Ethnomusicology 23(2) (September 1979):373-94 (ML3575.B7 S36, 1987)

*Seeger, Anthony. Why Suy· Sing: a Musical Anthropology of an Amazonian People. New York: Cambridge University Press, 1987

*Seitz, Barbara. "Quichua Songs to Sadden the Heart: Music in A Communication Event." Latin American Music Review Vol. 2, No. 2 (Fall/Winter 1981):223-251.

*Simonett, Helena. Banda, Mexican Musical Life Across Borders. Middletown, CT: Wesleyan university Press, 2001 (ML3485.7.S56 S55 2001)

*Sonnichsen, Philip, with assistance from Hermes Rafael and Jim Nicolopulos. Descriptive notes to CD Mariachi Coculense de Cirilo Marmolejo, 1926-1936. Vol. 1 of Mexico's Pioneer Mariachis. El Cerrito, Calif.: Arhoolie Folklyric CD 7011, 1993

*Stevenson, Robert. "Methods Used by Contemporary Scholars in the Study of Pre-Conquest Music." Music in Aztec and Inca Territory. Berkeley: University of California Press, 1968:17-30 (ML3549 .S84 1976)

Titon, Jeff Todd. Worlds of Music. New York: Schirmer, 2002 (ML3545 .W67 2002 c.2 , with CD 14922)

*Turino, Thomas. "The Charango and the Sirena: Music, Magic, and the Power

of Love." Latin American Music Review 4(Spring/Summer 1983):81-119.

*Turino, Thomas. Moving Away from Silence, Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: University of Chicago Press, 1993 (ML3575.P4 T87)

*Vogt, Evon Z. "On the Symbolic Meaning of Percussion in Zinacanteco Ritual."

Journal of Anthropological Research Vol. 33, No. 3(Fall 1977):231-244

*Wald, Elijah. Narcocorrido: a Journey into the Music of Drugs, Guns, and Guerrilas. New York: Rayo, 2001 (ML3570.W35 2001)

*Wilcken, Lois, featuring Frisner Augustin. The Drums of Vodou. Tempe, AZ: White Cliffs Media Company, 1992 (ML3565 .W54 1992, with CD15532)