Suggested areas of inquiry when writing up your recording reviews or event summaries:

 

1.         Value of the music to the society producing/consuming it

 

2.         Genres

 

3.         Forms

 

4.         Versions or variations encountered:  e.g., regional, tribal, local, individual

 

5.         Creativity allowed or not allowed the musician

 

6.         Compositional techniques

 

7.         Improvisational techniques

 

8.         Performance practice (who performs?)

 

9.         ³Audience² reaction/interaction

 

10.      Interrelationship of performing media

 

11.      Age and sex roles of performers; status of musicians

 

12.      Vocal production and style

 

13.      Instruments and instrumental techniques

 

14.      Location of musical event; indoor or outdoor performance

 

15.      Ceremonial and/or social event

 

16.      Use of space for performance

 

17.      Direction of movement or dance

 

18.      Use of shouts, cries, imitation of animals as indicators of form or as symbols

 

19.      Relationship of text to music

 

20.      Number and kinds of repetitions as indicators of form or as symbols

 

21.      Rhythmic organization/isorhythm

 

22.      Scale/melodic contour

 

23.      Dynamics:  e.g., adding and subtracting layers of sound to change volume

 

24.      Origin of the music:  real or conceptual/ideological

 

 

Information on the Recording Summaries

 

Recording summary (10%); Due February 20

Review an entire recording (cassette, LP, CD, or video) and submit a 4 - 5 page, double-spaced write-up that describes your findings about the particular genre or genres, instruments, and musicians featured in the recording. Refer to class discussions when possible and cite at least two additional reference (liner notes count as one source; Grove New Dictionary of Music and Musicians, Garland Encyclopedia of World Musics, etc.).  Graduate students must cite at least four references. 

 

1.    Recording Summary:   You are required to submit papers discussing the music on an entire recording (vinyl, cassette, CD, video, or film).  Don't forget that you must discuss all of the songs on the recording, if briefly.  Start with an overview of the contents of the recordings, then discuss the musical similarities and differences between songs, incorporating information about how world view is connected with the songs, if possible.

 

You may include the kind of information listed below. This requires a good set of liner notes (notes accompanying the recording) on the music you are summarizing.  If there are no notes or they are missing, you must still provide as much of the following information as possible, applying some information to each piece.  The extra research sources should help. 

 

1.      Discography:  Start with the title of the recording and the names of performers; identify the cultural group(s). Provide the record company and record number of the recording, and also the music library accession number if you heard the recording there.

2.      Discuss the musical instruments; refer to instrument classification system for any unusual instruments or combinations of instruments;

3.      Pitch inventory:  does this music use many pitches or only a few?  If you have a music background can you comment on the range employed and/or any discernable scales?

5.      Is there a melody you can hum?  Is a speaking style used?  

6.      Can you describe any notable uses of tone quality (timbre)?  Examples:  use of mutes, different plucking or strumming techniques, use of "buzzers," different vocal styles.

7.      Are there specific cultural terms used to describe musical elements or concepts?

8.      How are rhythmic patterns created?  percussive, melodic, emphasis of loud or soft tones, with the breath?   Is the rhythm free or measured?  Is the rhythm regular or irregular?  Are different rhythms used at the same time, creating polyrhythm?  Linear (use of meter) or cyclic rhythmic organization?

9.      Form:  

         Linear (as in W. music:  beginning and end, and internal progression)

                  strophic (parallel verse form) or 

                  through composed (changes as it goes along)

         Cyclic (repeated cycles, such as call and response, improvisation on a

                  harmonic pattern in jazz)

10.    One part music:  monophony, unison, octaves

11.    Multipart music:  polyphony (simplest is melody over drone; simiple canons)

                  homophony - use of chords

12.    Discuss different cultural influences in the music.

                  Does syncretism occur? (merging of different cultural forms)