Undergraduate Proficiency Exam
Requirements
Adopted Spring 2002. All proficiency examinations after May
2002
will follow these requirements.
This exam is given after four semesters of study, usually at the end
of the sophomore year - see policy
statement.
Added Spring 2004 - the Listening
Examination must be completed before the Proficiency Examination
may be taken.
Bachelor of Arts
1. Solo – a piece with accompaniment as assigned. See tenor and bass solo literature pages for examples.
2. Sight Reading – Tenor Trombone: Tenor
Clef
Bass Trombone: Bass Clef
3. Scales – major; 2 octaves when possible, 5 note patterns,
scales
in thirds; quarter note = 76
(see
sophomore
level in M. Stevens Scale and Arpeggio Routines)
minor; all three forms, 2 octaves when possible; quarter note = 60
4. Jazz or Orchestral – as assigned (orchestral excerpts, jazz
etude, jazz transcription,
improvisation, etc.)
Bachelor of Music Education
1. Solo – a piece with accompaniment as assigned. See tenor and bass solo literature pages for examples.
2. Sight Reading – Tenor and Bass Trombone: Tenor Clef
3. Scales – major; 2 octaves when possible, 5 note patterns,
scales
in thirds; quarter note = 76
(see sophomore level in M. Stevens Scale and Arpeggio Routines)
minor; all three forms, 2 octaves when possible; quarter note = 60
4. Orchestral Excerpts:
Mozart Tuba Mirum
from Requiem (tenor)
Brahms Symphony
No.
1 (tenor)
Berlioz
Hungarian
March from Damnation of Faust (tenor and bass)
Wagner Ride of
the
Valkyrie (tenor and bass)
Beethoven Symphony No. 9 (bass)
Wagner Entry of
the
Gods into Valhalla (bass)
5. Jazz – as assigned: etude, transcription, improvisation,
etc.
Bachelor of Music
1. Solo – a piece with accompaniment as assigned. See tenor and bass solo literature pages for examples.
2. Sight Reading – Tenor: changing tenor and bass
clefs
Bass: Tenor Clef
3. Scales – major; 2 octaves when possible, 5 note patterns,
scales
in thirds; quarter note = 76
(see
sophomore
level in M. Stevens Scale and Arpeggio Routines)
minor; all three forms, 2 octaves when possible; quarter note = 60
4. Orchestral Excerpts:
Mozart Tuba Mirum
from Requiem (tenor)
Brahms Symphony
No.
1 (tenor)
Mahler
Symphony
No. 3 (tenor)
Saint-Saens Symphony No. 3 (tenor)
Berlioz
Hungarian
March from Damnation of Faust (tenor and bass)
Wagner Ride of
the
Valkyrie (tenor and bass)
Beethoven Symphony No. 9 (bass)
Haydn
The Creation (bass)
Schumann Symphony No. 3 (bass)
Wagner Entry of
the
Gods into Valhalla (bass)
5. Jazz – as assigned: etude, transcription, improvisation,
etc.
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