54        GIULIO CACCINI--Madrigal: Perfidissimo volto

            56        CLAUDIO MONTEVERDI--L’Orfeo
                              c) In un fiorito prato*

            58        MARC’ ANTONIO CESTI--Orontea: Act II, Scene 17: Intorno all’idol mio

            61        GIOVANNI GABRIELI--Grand Concerto: In ecclesiis

            64        GIACOMO CARISSIMI--Historia di Jephte
                              a) Plorate colles
                              b) Plorate filii Israel

            65        HEINRICH SCHÜTZ--Grand Concerto: Saul, was verfolgst du mich, SWV
                          415*

            68        GIROLAMO FRESCOBALDI--Toccata No. 3 (1637)*

            70        JEAN-BAPTISTE LULLY--Armide
                              a) Ouverture

            77        ARCANGELO CORELLI--Trio Sonata, Op. 3, No. 2* (recording=3rd and 4th
                          movements only)

            78        ANTONIO VIVALDI--Concerto Grosso in G minor, Op. 3, No. 2, RV 578
                              a) Adagio e spiccato (first movement)
                              b) Allegro (second movement)*

            80        JEAN-PHILLIPPE RAMEAU--Hippolyte et Aricie: Act IV, Scene 1: Ah! faut-il*

            83        JOHANN SEBASTIAN BACH--Cantata: Wachet auf, ruft uns die Stimme, BWV
                          140
                              1) Chorus: Wachet auf*
                              4) Chorale: Zion hört die Wächter singen
                              7) Chorale: Gloria sei dir gesungen

            82        GEORGE FRIDERIC HANDEL--Giulio Cesare: Act III, Scene 4: Dall’ondoso
                          periglio*

NB: Numbers refer to the examples in NAWM, v. 1. Those items that are marked with an asterisk are in
the shorter recording set; you are responsibile on listening analysis only for these examples.