Assignment: Grout and Palisca, Chapter
22
Read: 759-760
Skim: 760-772
Read: 772-775 (top)
Skim: 775 (top)-777
Read: 777-778
Skim: 778-782
Read: 782-803
Study Questions:
2. Be able to describe Ives’s style and influence.
How does he employ borrowed
material?--p. 773-775
3. Be able to describe Copland’s style and influence.
How does he employ bor-
rowed material?--p.
777-778*
4. What is "metric modulation"? How does Carter employ
this technique in coun-
terpoint?--p. 783
5. How does Babbitt extend the principles of serial
composition? What is
"maximalism"?--p.
787-788
6. Be able to describe the technological advances
in instrumentation made by Nan-
carrow, Partch, Johnston,
and Crumb--p. 788-791
7. How does Babbitt combine various techniques in
Philomel?--p.
791-792 (and
NAWM 149)
8. What is "third stream" music? How does Schuller
incorporate jazz styles into
his works?--p. 793-794
9. Be able to describe Cage’s musical philosophy.
How does it relate to non-
Western thought?--p.
794-795
10. What is "minimalism"? What is "phase music,"
and how does Reich employ
this technique in
Violin
Phase?--p. 797 (and NAWM 151) What contributions
to this method have
been made by Glass and Adams?--p. 798**
11. What are the characteristics of "mainstream"
composers??p. 798—799 of
"post-modern" composers?--p.
800-802.
**Note that minimalism is compatible
with works of operatic proportion. Glass has also provided film
music
for several full-length features that also employ visual minimalism.