John Fisher / Selected & On-Line Publications

• Reflecting on Art, Mayfield Publishing Co/ McGraw-Hill, 1993
• "Disambiguating Anthropomorphism: An Interdisciplinary Review," Perspectives in Ethology, Vol. 9 eds. P.P.G. Bateson and Peter Klopfer, pp. 49-85 (NYC: Plenum Publishing Co., 1991)
• "Discovery, Creation, and Musical Works," The Journal of Aesthetics and Art Criticism 49:2 (Spring 1991), pp. 129-136.
  
• "Why Potentiality Does Not Matter: A Reply to Stone," Canadian Journal of Philosophy, 24:2 (June 1994), pp. 261-279.
• "Is There a Problem of Indiscernible Counterparts?," The Journal of Philosophy, 92:9 (1995), pp. 467-484.  Reprinted: The Philosopher's Annual XVII: The Ten Best Articles to Appear in Print in 1995.
• "What The Hills Are Alive With--In Defense of the Sounds of Nature," The Journal of Aesthetics and Art Criticism, 56:2 (1998), pp. 167-179.  Reprinted: The Aesthetics of Natural Environments ed. Carlson and Berleant (Peterborough Ontario: Broadview Press, 2004), pp. 232 - 252.
• "Rock 'n' Recording: The Ontological Complexity of Rock Music," in Musical Worlds: New Directions in the Philosophy of Music ed. Philip Alperson (University Park, PA: Penn State Press, 1998), pp. 109-123.
• "The Value of Natural Sounds," The Journal of Aesthetic Education, 33:3 (1999), pp. 26-42
• "Environmental Aesthetics," in the Oxford Handbook of Aesthetics ed. Jerrold Levinson (Oxford: Oxford University Press, 2003), pp. 667-678.
  
• "On Carroll's Enfranchisement of Mass Art as Art," The Journal of Aesthetics and Art Criticism, 62:1 (Winter 2004), pp. 57-62.
• "High Art vs. Low Art," in Routledge Companion to Aesthetics 2^nd ed. B. Gaut & D. Lopes (London: Routledge Press, 2005), pp. 527-540.
  
• "Performing Nature," Environmental Philosophy IV: I-II (Fall, Spring 2007), pp. 15-28.
• "Is It Worth It? Lintott and Ethically Evaluating Environmental Art," Ethics, Place & Environment, 10:3 (October 2007), pp. 279-286.