John Fisher / Selected On-Line Publications

• Reflecting on Art, Mayfield Publishing Co/ McGraw-Hill, 1993

• Song, Songs and Singing, co-edited with Jeanette Bicknell ( Wiley-Blackwell, 2013)

• "Disambiguating Anthropomorphism: An Interdisciplinary Review," Perspectives in Ethology, Vol. 9 eds. P.P.G. Bateson and Peter Klopfer, pp. 49-85 (NYC: Plenum Publishing Co., 1991)

• "Discovery, Creation, and Musical Works," The Journal of Aesthetics and Art Criticism 49:2 (Spring 1991), pp. 129-136.

• "Why Potentiality Does Not Matter: A Reply to Stone," Canadian Journal of Philosophy, 24:2 (June 1994), pp. 261-279.

• "Is There a Problem of Indiscernible Counterparts?," The Journal of Philosophy, 92:9 (1995), pp. 467-484.  Reprinted: The Philosopher's Annual XVII: The Ten Best Articles to Appear in Print in 1995.

• "What The Hills Are Alive With--In Defense of the Sounds of Nature," The Journal of Aesthetics and Art Criticism, 56:2 (1998), pp. 167-179.  Reprinted: The Aesthetics of Natural Environments ed. Carlson and Berleant (Peterborough Ontario: Broadview Press, 2004), pp. 232 - 252.

• "Rock 'n' Recording: The Ontological Complexity of Rock Music," in Musical Worlds: New Directions in the Philosophy of Music ed. Philip Alperson (University Park, PA: Penn State Press, 1998), pp. 109-123.

• "The Value of Natural Sounds," The Journal of Aesthetic Education, 33:3 (1999), pp. 26-42

• "Environmental Aesthetics," in the Oxford Handbook of Aesthetics ed. Jerrold Levinson (Oxford: Oxford University Press, 2003), pp. 667-678. Reprinted: Reflecting on Nature, eds. Jamieson, Greun, Schlottmann (Oxford University Press, 2013).

• "On Carroll's Enfranchisement of Mass Art as Art," The Journal of Aesthetics and Art Criticism, 62:1 (Winter 2004), pp. 57-62.

• "High Art vs. Low Art," in Routledge Companion to Aesthetics 3rd ed. B. Gaut & D. Lopes (London: Routledge Press, 2013), pp. 473-484.

• "Performing Nature," Environmental Philosophy IV: I-II (Fall, Spring 2007), pp. 15-28.

• "Is It Worth It? Lintott and Ethically Evaluating Environmental Art," Ethics, Place & Environment, 10:3 (October 2007), pp. 279-286.

• “Popular Music,” in the Routledge Companion to Philosophy and Music, edited by Gracyk and Kania (London: Routledge, 2011), pp. 405-415.

• “Making a Space for Song,” (with Jeanette Bicknell) Journal of Aesthetics and Art Criticism, 71:1 (January 2013), pp. 1 -11.

• Review: Nanay, Bence, Aesthetics as Philosophy of Perception, The Journal of Aesthetics and Art Criticism, 75:2 (Spring 2017). pp. 210-214.