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Construction Grammar
I work in a developing
syntactic model called Construction
Grammar (CxG). In CxG, rules of syntactic combination (descriptions
of local trees) are directly associated with interpretive and use
conditions, by means of semantic and pragmatic features that attach to
the mother or daughter nodes in these descriptions. This amounts to the
claim that syntactic rules mean things. This is a controversial claim:
meaning is generally viewed as something that only words can do;
syntactic rules are only supposed to determine what
symbol sequences function as units for syntactic purposes. The reason
is that if both words and syntactic patterns had
meanings, we would create the potential for semantic conflict between
(top-down) construction meaning and (bottom-up) word meaning. My
contention is that this is precisely what we want to do, if we wish to
model the grammatical flexibility that we actually encounter. In my
research, I ask how interpreters resolve semantic conflicts between
words and constructions, and how and why speakers create such
conflicts.
My focus is on tense and
aspect. I view morphological
markers of tense and aspect as constructions, each of which selects for
a specific component in the temporal representation of a verb. In my
work, I look at how speakers use tense and aspect constructions to
alter verbal aspect (Aktionsart). It is my contention that
semantic-conflict creation enables speakers to categorize events
flexibly, which in turn
enables them to express sequence
and overlap relations among
events in
narratives. You can also find a
comprehensive listing of references and news about CxG at the Construction Grammar website. 
The version of CxG that I
assume is called Sign-Based
Construction Grammar (SBCG), a formal extension of CxG proposed by Ivan
Sag. For details, read Ivan's paper, Sign-Based
Construction Grammar: An Informal Synopsis. In SBCG, (combinatory)
constructions are descriptions of local trees, or, more accurately, the
mother signs of mother-daughter configurations. To the right you see an
example of a construction, the Inverted Negative Adverb (INA)
construction. The INA construction licenses strings like Rarely am I chosen and Never have I seen such a mess.
According to the INA construction, INA constructs consist of two
daughters, an adverbial expression whose semantic frames include a
negation frame, and a verbally headed daughter that bears the feature
INV+. The INV feature is motivated independently of this construction,
because it is needed to chararacterize defective auxiliaries like
first-person aren't, which
appears only in auxiliary-initial constructs like Aren't I invited? (as against,
e.g., *I aren't invited).
I recently gave a plenary
talk, Myths about Construction Grammar,
at the Fifth International
Conference on Construction Grammar, held at UT Austin. In this
talk, I urged proponents of CxG to more actively promote the theory (in
particular, in its sign-based incarnation) based on 'the three Fs': functionality of the theory (e.g.,
it encodes inheritance relations in type constraints), facts (e.g., core and periphery are
interleaved during production) and fighting
back (e.g., hierarchical structure and 'movement rules' are not
universals of language but rather mutually reinforcing representational
conventions).
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